This new edition covers thehistory of avante-garde film and video, ranging from Cezanne and dada, via Cocteau, Brakhage and Le Grice, to the new wave of British video artists in the 1990s. The author also reconstitutes the avante-garde film as an independent form of art practice with its own internal logic and aesthetic discourse.
With coverage of every aspect of broadcast journalism, including writing, reporting, and production, this book providesthe tools to succeed. Clear and well-organized discussions and explanations, suggestions from professional journalists, and actual, real-world examples.