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Sound design for low and no budget films
G. Gain Staging -- h. Fades -- i. Panning -- j. Constant Gain or Constant Power -- k. Equalization -- l. Compression -- m. Normalizing -- n. Noise Gate -- o. Expansion -- p. Exciter -- q. De-Esser -- r. Noise Reduction -- s. Reverberation and Delays -- t. De-Verberation -- u. Effects and Filters -- v. Limiter -- w. Premixing -- x. Buses, Auxes, Sends and Returns -- y. VCA Faders -- z. Master Fader -- aa. Metering -- bb. 2-Pops and Tail Pops -- cc. Dialogue and ADR Premix -- dd. Foley Premix -- ee. Sound Effects Premix -- ff. Design Effects Premix -- gg. Backgrounds Premix -- hh. Music Premix -- ii. Temp Mix -- CHAPTER 14 Mixing Myself -- a. Introduction -- b. Set-Up -- c. Getting Started -- d. Dialogue First -- e. ADR -- f. Sound Effects -- g. Ambiences -- h. Foley -- i. Music -- j. DME, Stems and M & E -- k. Master Output -- l. Quick and Dirty Mix -- CHAPTER 15 Studio Mix -- a. Introduction -- b. Mixer Interview -- c. Mix Preparation -- d. Premixes -- e. Stems -- f. Mixing -- g. Run Through -- h. Dialogue Mixing -- i. Sound Effects Mixing -- j. Foley Mixing -- k. Backgrounds Mixing -- l. Music Mixing -- CHAPTER 16 Deliverables -- a. Introduction -- b. Film -- c. DCP -- d. DVD/Blu-ray -- e. Streaming -- f. Broadcast Television -- g. Marketing -- h. Archiving -- CHAPTER 17 Summary -- a. Clean Production Sound -- b. Creating Sound Design -- c. Mixing -- d. Conclusion -- e. Internet Resources -- Glossary -- Bibliography -- Index
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